![]() ![]() Then, the resurgence of cargo pants, halter tops and baby tees. ![]() The juxtaposition, as Valli would put it, was like sketching a line on white paper while thinking of lavish bouquets of flowers – the foundation of his creative process.NEW YORK (AP) - First came the supposed death of skinny jeans. One standout piece, echoing the lingerie-esque front seen in his previous collections, was juxtaposed with a grandiose tiered tulle train, transforming the gown into a walking contradiction of sexy and ethereal. The collection’s high point was Valli’s innovative trompe l’oeil creations, blurring the line between the front and back of the gowns. Continuing this theme was a floor-length Chinese silver gown adorned with oversized dropped bows resembling giant clams – that looked like they might eat up their admirer! An unforgettable piece was a black mermaid gown where the white silk bust plunged into a dramatically dropped train. It was a great mix.ĭrawing from Valli’s flair for color and movement, the collection had “the drop” as its cornerstone, seen in the fluidity of shoulders, busts, and bows. The first dress, with its rivulets of tulle in the underskirt, cleverly resembled the crystal formations of an underground cave - all against the charm of a 1950s bustier top. Daring and decadent, the opening looks were a study in Valli’s signature play with proportions, juxtaposing monochromatic shades and epochs in a series of ensembles. Giambattista Valli, the Italian couturier celebrated for his joyful excess and extravagant volumes, unveiled his latest couture collection. Regardless, Roseberry’s ability to spark discussion proves that he is becoming a formidable force in the fashion world. However, some looks seemed to teeter on the edge of couture parody, such as a giant silver quilt, defying description, which enveloped the model so completely it almost swallowed her whole. Corsets were a recurring theme, lending an edgy feel to a collection that had plenty of provocative moments, such as dark, lava-like dresses appearing to hang precariously from two pegs on the models’ breasts. Large geometric lapels adorned with glittering gold floral jewelry became focal points, while Surrealist touches, like gold clasps in the shape of human ears, provided an unexpected twist. The first look, in contrasting black and white, evoked a chic, saucy nun, her habit swooshing fluidly with every step. This season, Roseberry continued to delve into the world of exaggerated proportions, staying true to the ironic touches that were defining elements of the house’s founder, Elsa Schiaparelli. And amidst the classical musings, a white apron-shirt, pristine and fresh, broke the ethereal continuity, presenting a fashion-forward mix. The restrained sophistication was occasionally punctuated with Renaissance sleeves - a Chiuri signature from her time at Valentino - bridging past and present. The shimmer and sparkle lent the collection a vibrant, modern heartbeat. ![]() Subtle and understated, the adornments of pearl or gold earrings added a quiet elegance, while tunic shapes and classical banding played up the nostalgic silhouettes, all marked by loose proportions and understated charm. A crepe cape with long, draping sleeves set the classical tone, with the gathered plaits of the models’ hair a throwback to times past. The collection by Chiuri drew its strength from the past, a salute to timelessness. Here’s a look at some highlights from Monday’s fall-winter 2023 collections:ĭIVINE GODDESSES OF DIOR STRUT AMID BIRDS AND TREES Actors Natalie Portman and Rosamund Pike were among VIP attendees captivated by the fusion of these imaginative realms of threads and thoughts. The designs, inspired by power, feminism and the divine, shone against Roberti’s fantastical creations of exotic birds and ethereal trees. PARIS (AP) - In the lush surroundings of Paris’ Musee Rodin, the landscapes of artist Marta Roberti formed the backdrop on Monday for the latest Dior couture collection by designer Maria Grazia Chiuri. ![]()
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